Tha Alkaholiks - Likwidation 2xLP + 7"

90s Tapes (2023, Reissue)

Every Wednesday, in honor of Ed Lover Dance Day from Yo! MTV Raps, I take a break from rock and roll to write a little bit about hip hop. In the late 80s and early 90s hip hop ruled my musical life. During this often called 'Golden Era' I discovered so much incredible music. As I am slowly replacing the CDs I've had for thirty plus years with vinyl copies, I'm going to talk about some albums that had a really important impact on me during some very formative years.

I didn't listen to Tha Alkaholiks back in the 90s.  I discovered them much later, after hearing their 1993 debut 21 & Over.  That record really impressed me and sort of annoyed me that I hadn't heard it back when it came out.  I think I would have liked it even more back then, but don't get me wrong, I really dig it now as well.  From there I hunted down a copy of their 1995 album Coast II Coast.  I didn't really like this one as much.  Lyrically, it was quite good, perhaps even an improvement over their debut.  But the production was that post 1994 style that I'm not always loving as much as earlier hip hop releases.  Plus the fact that I overpaid collector prices for a copy stung my wallet a little harder than usual.

You'd think going to a bands 1997 release after not loving their 1995 release would be a fool's errand.  But sometimes I'm a glutton for punishment and when 90s Tapes did a double drop of reissues of Coast II Coast (I should have waited for this instead of buying the copy I did a year earlier!) and 1997's Likwidation, I decided to grab the one I was missing anyway.  

I think I like it better than Coast II Coast as the production is better in places.  But in other places it's kind of the same.  We don't have golden era 1993 style beats here and that's what I miss the most about hip hop.  Again, on the mic, the Liks are great.  I really dig most of the vocal performances, but the production isn't quite my cup of tea in spots.  Though I think the biggest issue I have with the album is that it's just way too long.  It's an hour and 13 minutes and that's just too much for me at the best of times.  There are enough songs on here with beats I really like that I think you could trim this up a bit and have a really solid record.

Inconsistent feelings about the album itself aside, you really can't go wrong with this 90s Tapes pressing.  If you want the record, this is the version to get.  No one does reissues better than 90s Tapes and once again they've outdone themselves with this version.  I really wish they did a version of 21 & Over.  My favorite Alkaholiks record reissued by my favorite hip hop label?  You know I'm double dipping on that one.

Tha Alkaholiks - Likwidation:

https://music.youtube.com/playlist?list=OLAK5uy_mi0gOaOcBS7hBNFzLw3ik-kahNx0r0CvU

Original Flavor - Beyond Flavor 2xLP + 7"

90s Tapes (2024, Reissue) 

Every Wednesday, in honor of Ed Lover Dance Day from Yo! MTV Raps, I take a break from rock and roll to write a little bit about hip hop. In the late '80s and early '90s hip hop ruled my musical life. During this often called 'Golden Era' I discovered so much incredible music. As I am slowly replacing the CDs I've had for twenty-five plus years with vinyl copies, I'm going to talk about some albums that had a really important impact on me during some very formative years.

Original Flavor was one of those groups that I came across looking for 90s hip hop that I missed the first time around.  I checked out their debut album, This Is How It Is, first and it didn't really stick.  I didn't check out their second album at the time.  When 90s Tapes released Beyond Flavor, I pretty much bought it unheard as I trust their taste in reissues and when they drop an album it's very much a buy now or cry later situation.  I'm really glad I took the chance.

I'll start with what is typically the most important thing for me on a golden era hip hop album, the beats.  And the beats are great.  Upbeat, jazzy loops with strong drums and lots of great scratching in the breaks.  It's exactly the sort of production I am looking for in my hip hop and while it definitely leans towards a more accessible sound, it does so in a way that still feels real.

The lyrics are solid, but not spectacular.  They sort of come off like a lesser UMCs (first album) or Leaders of the New School (also first album).  Never as good as either of those group, but in the same wheelhouse and totally fine.  There's a lot of post Das-EFX "diggety" being dropped throughout the album and also by Jay-Z (yes, that Jay-Z) on "Can I Get Open," which is kind of wacky.  It's the production that makes the record though and this is going to be one of those records I pull out when I'm looking for some upbeat hip hop to brighten the day.

Original Flavor - Beyond Flavor:
https://90stapes.bandcamp.com/album/beyond-flavor

Illegal - The Untold Truth 2xLP + 7"

90s Tapes (2024, Reissue)

Every Wednesday, in honor of Ed Lover Dance Day from Yo! MTV Raps, I take a break from rock and roll to write a little bit about hip hop. In the late '80s and early '90s hip hop ruled my musical life. During this often called 'Golden Era' I discovered so much incredible music. As I am slowly replacing the CDs I've had for twenty-five plus years with vinyl copies, I'm going to talk about some albums that had a really important impact on me during some very formative years.

I'm not positive, but I believe that Illegal was meant to be part of EPMD's Hit Squad before that collective (and EPMD) splintered.  It feels like the gimmick was every crew needed some kid rappers back then.  Illegal stayed affiliated with Erick Sermon and he produces three of the tracks on their 1993 album, The Untold Truth.  He's joined on the boards by Diamond D, Bi Markie, Lord Finesse and others.  A real smorgasbord of producers as was becoming the trend.  Luckily the album still sounds cohesive with the sort of '93 era beats that I do tend to enjoy.

Lyrically, Malik and Jamal are really skilled for being younger teenagers.  Their rhyme schemes are sophisticated and their delivery is about as rugged as you can be at that age.  The disses of other kid groups like Kriss Kross sound pretty silly these days, but it's not like they cornered the market on diss records back then.  More than anything, I think this record benefits mostly from coming out in 1993.  It was pretty hard to miss on beats back then, unless you were barking up some G-Funk tree, which Illegal is not.

As usual the 90s Tapes reissue is everything you'd want and more.  Even though the artwork is simple, it looks great.  The songs (which to be honest sometimes overstay their welcome a bit due to their length) are spread out over two LPs with a bonus 7" that has an extra Lord Finesse helmed remix of "We Gets Buzy."  While not a record I heard back in 1993, it's a slice of that time that I miss and am glad to have a new record from that time in the collection.

Illegal - The Untold Truth:
https://90stapes.bandcamp.com/album/the-untold-truth

Kamakaze - Head On 2xLP + 7" (/750)

90s Tapes (2023) 

Every Wednesday, in honor of Ed Lover Dance Day from Yo! MTV Raps, I take a break from rock and roll to write a little bit about hip hop. In the late '80s and early '90s hip hop ruled my musical life. During this often called 'Golden Era' I discovered so much incredible music. As I am slowly replacing the CDs I've had for twenty-five plus years with vinyl copies, I'm going to talk about some albums that had a really important impact on me during some very formative years.

I still have piles of 90s Tapes reissues that I haven't been able to write about yet.  As I was going through some things, I noticed that I still hadn't gotten to Kamakaze, which had come out in late 2023.  This was the first official release for a shelved album that was supposed to have come out on Reprise back in 1995.  I'm not sure why it didn't get released back then, but if I'm being honest I probably wouldn't have heard it back then as '95 is when I was pretty checked out on what was happening in hip hop.

The production on this record was mostly handled by Marley Marl with a few tracks done by K-Def (who did one of my all time favorite beats on "Funky Child" by Lords of the Underground among others).  I think having Marley on beats mostly helps this album hold on to that sound that I prefer rather than dipping into the post 1994 style of production that I don't care for as much.  There are traces of that, as I don't like the G-Funk sounding keyboard whine on "Spread It Around" or the slowly, slinky sounds of "Da Rocks Ya'll" and "Goodlife."

But there are several songs on here that have good, hard hitting drums and an aggressive tempo that falls much more in line with the sort of early '90s hip hop that I prefer.  The tracks that are the ones that make this a record to keep on the shelves are the ones like "Snakes In The Grass," "House O' Hitz Crew," "Devastating" and the title track, "Head On." As far as lyrics and delivery goes, KL and Solo both sound great.  They've got gravelly flows that are engaging and are the type of rappers that I think would always excel if given the right beat.

For me, this isn't a top tier-untouchable lost gem of a record.  It's a really good album that is way better than a lot of records that came out in 1995 and beyond.  It's not perfect and there's a handful of songs that I don't dig all that much, but in general it's a solid album and one that I tend to enjoy more with each subsequent spin.

Kamakaze - Head On:
https://90stapes.bandcamp.com/album/head-on

Mystidious Misfitss – A Who Dat? 2xLP + 7" (/500)

90s Tapes (2024, Reissue)

Every Wednesday, in honor of Ed Lover Dance Day from Yo! MTV Raps, I take a break from rock and roll to write a little bit about hip hop. In the late 80s and early 90s hip hop ruled my musical life. During this often called 'Golden Era' I discovered so much incredible music. As I am slowly replacing the CDs I've had for twenty-five plus years with vinyl copies, I'm going to talk about some albums that had a really important impact on me during some very formative years.

If you are looking for a hip hop group that has a name that is difficult to remember how to spell, Mystidious Misfitss might just be the group for you.  Their lone album, A Who Dat?, originally came out in 1995.  I didn't make much of an impact at the time, and from what I gather, that seems to be because their original label, Epic, didn't even bother to release the album on CD in America.  But had I heard this album, it's definitely one that I would have been into.

I know there is only a one year difference between 1994 and 1995, but I can't even begin to explain just how different hip hop production in those two years sounds to me.  It's like almost an entirely different genre of music for the most part.  Over the years I've learned that there were good beats still being produced after 1994, but I still find them to be on the rare side.  But for whatever reason, A Who Dat? is absolutely full of them.  

If you told me this came out in 1993, I wouldn't even bat an eyelash.  To the point where I'm mostly convinced this was recorded much earlier and the release just got delayed to 1995.  I haven't read that anywhere and have no proof other than the aforementioned nugget that this didn't come out on CD in the US, but this just sounds like that perfect, early 90s golden era sound that I love.  On top of the strong beats are 3 MCs that do a great job.  It's similar to other multi-person groups of that like Yaggfu Front, Pharcyde and maybe Leaders of the New School as long as you understand there's no one like Busta in Mystidious Misfitss.  There's a few too many skits, but that's not a problem unique to Mystidious Misfitss.

As usual, 90s Tapes sets the bar as high as high could be with this reissue.  It's a thoughtfully put together package with excellent artwork, great sounds and everything you would expect from them.  There's a reason I set an alarm multiple times a month to wake up in the middle of the night to buy their releases.  I don't deprive myself of sleep for just anything.  If you see one of these on Discogs or eBay or whataever and it's a nice price, go grab it.  Mystidious Misfitss created a great record that more people should hear.

Mystidious Misfitss – A Who Dat?:
https://90stapes.bandcamp.com/album/a-who-dat

Arcadian Starship - No Feelings 7"

Debauch Mood (2024)

Arcadian Starship is a group fronted by Shirahama, who was also in Sleeping Aides and Razor Blades.  They put out a full length a couple of years ago that I didn't get as the bits I heard of it didn't light my world on fire.  My understanding is that album was more of a solo endeavor, but on this 7", Arcadian Starship is reimagined as a full band.

Japanese powerpop/poppunk is often the best version of those genres, especially these days.  Arcadian Starship dabbles in both and I can hear the influence of the 90s UK scene, sort of like a Mega City Four, but it's filtered through a power pop lense that has echos of The Cute Lepers.  As you can imagine, this is great, upbeat music with lovely choruses and lightly fuzzed out guitar work.

It's so good, it really does make me want to give that first full length another chance, but more than anything I'm looking forward to seeing what this group does in the future.  A whole album of songs like this is something I would sign up for immediately.

Arcadian Starship - No Feelings 7":
https://debauchmood.bandcamp.com/album/arcadian-starship-no-feelings-7

Swami John Reis - Time To Let You Down LP - Black Vinyl (/500), Yellow Swirl Vinyl (/1500) & Mystery Wax 7" (/136)

Swami (2025)

As the years have gone by and more music by John Reis has entered the world, I've found that I've had an increasingly difficult time writing about new records and finding ways to describe said music accurately or interestingly.  His bands have been such a gigantic part of my life for over 30 years now, and the sounds that he crafts are in a way part of the lifeblood that keeps me functioning day to day.  I realize that sounds a little heavy handed and perhaps kind of stupid, but I guess what I'm trying to say is that if there's a soundtrack to my life, John is absolutely one of its main composers.

Time To Let You Down is is third record as Swami John Reis including a one album detour as Swami & The Bed Of Nails.  Of the the three, this one is my favorite.  The first album, Ride The Wild Night,  was build on top of a lot of acoustic guitar and piano.  The second, All Of This Awaits You, was more electric with a focus on tight, economical songs. This third one probably has more in common with All Of This Awaits you sonically, but with a more diverse array of song styles.  There's tight, hook filled pop songs like "Prince of the Parade" right along side of slower, more deliberate songs with noisier guitar bursts like "Fed to the Dogs." 

There's so much to love here and it's definitely the record that has gotten the most repeated listens for me so far this year.  There's even a cover of the Kamen Rider theme song.  He'll be in NJ next week and I'm really looking forward to hearing these new songs live. 

Regarding the different versions released, the main release that's in stores is a limited to 1500 copies pressing on yellow swirl vinyl.  There are an additional 500 copies that are limited on black vinyl.  300 of these were sold via the Swami webstore and the remaining 200 copies are being sold on the upcoming tour dates.  And if you want to hunt even more, 136 random orders from the Swami webshop also received a Swami Mystery Wax 7".  These are 7"s that the Swami has affixed a label onto so that you don't know what it is until played.  These are typically older 45s and my copy ended up being "My Meloncholy Baby" b/w "Really Need Your Love by The Marcels.  A fun little bonus.

Swami John Reis - Time To Let You Down:
https://music.youtube.com/watch?v=uOIpCbqDL-w

Da Homlez – Abandoned In Da Streetz 2xLP + 7"

90s Tapes (2024, Reissue)

On Wednesdays, in honor of Ed Lover Dance Day from Yo! MTV Raps, I take a break from rock and roll to write a little bit about hip hop. In the late 80s and early 90s hip hop ruled my musical life. During this often called 'Golden Era' I discovered so much incredible music. As I am slowly replacing the CDs I've had for twenty-five plus years with vinyl copies, I'm going to talk about some albums that had a really important impact on me during some very formative years.

Abandoned In Da Streets was originally released on CD and cassette on a label called Noir.  A quick peruse of Discogs shows that this album and an accompanying 12" single may have been the only releases that the label ever put out.  The same can be said for this group.  I certainly never heard of Da Homlez back in 1995, when this was originally released.  I imagine they didn't make a lot of noise being on a new, independent label.   And to be honest even if they had gotten a sniff of exposure on Yo! MTV Raps or the Source, I wouldn't have heard anything about it in 1995 as I had moved on from those.

What I can say is that if I had heard Da Homlez back then, there is almost no way I wouldn't have immediately loved it.  Even though I am pretty sure I only bought one hip hip album in 1995, that one was the second Souls of Mischief CD.  Even as I had started losing interest in the hip hop I had access to, I was still taken in by Souls and Hieroglyphics.  And that's the niche that Da Homlez kind of slides right into.  Maybe they are not quite as left of center as Hiero, but they are mining a similar west coast vibe, particularly when it comes to production.  Another kindred spirit definitely being the first Pharcyde record.

Over strong, jazzy beats, the multi-MC crew trades killer lyrics back and forth.  For a lot of the forgotten classics of the golden era that I have come across in later years, I have often said that the production is great and the vocals are good, or fine, or don't get in the way.  That isn't the case with Da Homlez.  These guys are great and if anything their skill only elevates the beats even higher.

As usual, 90s Tapes does a flawless job with this reissue.  Everything looks amazing and sounds even better.  There's more than one reason they are my favorite reissue label.  There's the quality of the packaging and vinyl, of course, but they have done an incredible job of finding these hidden gems and making them available.  I am pretty confident I would have never heard of Da Homlez if not for 90s Tapes, and man is my record collection better off having heard it.  Highest recommendation if you can find a copy.

Da Homlez – Abandoned In Da Streetz:
https://90stapes.bandcamp.com/album/abandoned-in-da-streetz

Superchunk / Not Wonk - Split 7" (/300)

Merge / Bigfish Sounds (2024)

This 7" was one that I wasn't aware of until I just saw it on Superchunk's Disccogs page when I was looking up something else.  It's a split 7" with Not Wonk that was made for a Japanese Superchunk tour.   There were 300 pressed in total and 100 of them were sold at the Merge 35 merch table, according to an Instagram post that Mac made that I found this morning.  I wasn't at that show or at any of the Japanese tour dates and it's only through the kindness of my great friend Kazu that I have this in my collection. 

Both songs on this 7" are acoustic, with the Superchunk side being a version of "Hyper Enough."  "Hyper Enough" is probably my favorite Superchunk song, if I was forced to pick one, but at worst it's in my top three.  I'm not positive that it's the Superchunk song that translates best acoustically though.  It's significantly slower and delivered with Mac's vocals being a whole lot more gravelly than they were 30 years ago (it happens).   It's certainly not bad and it's an interesting take on a song that I have loved for 30 years, but I can't really see myself listening to it very often.

Not Wonk is a band from Japan and I have their first two albums, which I like quite a bit.  They've put out two more since then, but I don't have either of those.  Their contribution is an acoustic take on a song called "Asshole."  I'm not sure that there is a non-acoustic version of this one as it's not on either of the Not Wonk records I have and according to Discogs it's not on either of the ones I don't.  It's also not a Beck cover.  Like the Superchunk side, this is a slow song that while nice, isn't particularly exciting.

It probably sounds like I'm being negative about this record, but for what it is - a limited tour only 7" - it does everything it needs to.  Only crazy, completist record collector people like me are going to miss it if it's not in their collection.  But as a crazy, completist record collector, I am deeply and eternally grateful to Kazu for helping me keep my Superchunk 7" collection complete. 

The Ape-Ettes - No Matter What 7" - Red Vinyl (/400)

Snappy Little Numbers (2024) 

As a casual fan of Curling (let's face it, it's challenging to be more than that in America with the lack of televised coverage of this great sport), I was immediately taken in by the cover of this Ape-Ettes 7" and was determined to try to like it no matter what the music sounded like.  I was pre-judging the book by its cover, but luckily this 7" is great and I definitely don't need to force myself to enjoy it.

To me, The Ape-Ettes sound like another in the longstanding line of great bands that are sometimes classified under the 'cuddlecore' banner.  I'm not sure you could listen to this 7" in a vacuum and make that statement as the guitars are a little warmer and crunchier than the traditional cuddlecore band and there's a garage pop edge to these songs that make them all the more enjoyable to me.  

At the same time, it's hard for me to not be reminded of bands like Cub, Dressy Bessy and Go Sailor.  Are they one to one comparisons?  Not at all, but I think you'd be hard pressed to not like The Ape-Ettes if you're a fan of any of those bands.  We've got three songs on this record and all of them are great, making this a no brainer recommendation.  And I vote for more curling in the artwork for any future releases.

The Ape-Ettes - No Matter What 7":
https://snappylittlenumbers.bandcamp.com/album/no-matter-what

Superchunk / Quivers - Split 7"

Merge (2024)

I love me a good split 7" and I also do enjoy it when bands have exclusive merch when they tour.  But when that exclusive merch becomes impossible to obtain unless you happened to go to a show at a very specific time in an extremely specific geographic region, I'm not as into that.  That's where this split 7" comes in. Sold only on the briefest run of tour dates in the center of America, had it not been for the tremendous kindness of my buddy Danny, I would have been shit out of luck.  Nary a copy has shown up anywhere on the internet since this tour happened, not even on eBay or Discogs.  Again, I like cool merch, but some of us have been collecting Superchunk records for 30+ years.  I would have been most distraut to miss this.

Anyway, the Superchunk song is a fun little cover of Dead Moon's "Fire in the Western World."  I can't say that I'm familiar with the original, but Superchunk have turned it into one of their standard, upper-mid tempo numbers.  I  really enjoy it and for me it's miles better than a lot of the mopey songs they've been slinging the past couple of years.  Give me more Superchunk like this!

I had not heard of Quivers prior to the announcement of this 7" and I don't know the Yo La Tengo song they are covering, "Pass the Hatchet, I Think I'm Goodkind." This one is slower, dreamier and for me kind of fades into the background a little bit.  It's good, but it's nothing that grabs me and makes me think that I must track down more music by this band.

I'm very grateful to have this record and again send many thanks to Danny.  I had a complete Superchunk 7" collection prior to this release (including a longtime omission that's sitting in a stash of records another friend is hording for me in the UK) and I thought that once I had this 7", I was set again.  Then Discogs alerted me to another regional exclusive.  But that's a story for another day.

Superchunk / Quivers - Split 7":
https://superchunk.bandcamp.com/album/fire-in-the-western-world-pass-the-hatchet-i-think-im-goodkind

Fig Dish - Feels Like The Very First Two Times LP & Flexi 7" - Green In Clear Swirl Vinyl

Forge Again (2024)

I've had this Fig Dish LP for a while and for some reason I have struggled trying to figure out what to write about it.  First thing first, it's great.  That's not the issue.  But I feel like there's some sort of story that I should be telling about my relationship to Fig Dish over the years.  The only problem is that it's not a particularly deep or profound relationship.  They have always been a band that I really liked and never understood why their CDs were always in the used/cutout bins next to The Figgs and Flop.  Writing that sounds like I'm taking a shot at those bands, but all three put out records in the mid 90s that I think are just outstanding.  If anything, the story of Fig Dish to me is that of a band that for whatever reason never got their due at the time.

Feels Like The Very First Two Times contains songs that were recorded for a planned third Fig Dish LP that was meant to come out in 1998 or 1999 I would assume.  That never happened, though when I listen to these songs, it takes me right back to everything I loved about Fig Dish.  The big, crunchy guitars driving through monster hooks with wry lyrics.  These songs are every bit as good as anything on their second or third albums (Thanks to Alan for reminding me about their first album that I always forget about).  Part of my brain then wonders why material this strong never came out at the time, but then the other part wonders if this album would have been received any different than the others?  I don't really know the answer and that's frustrating in some ways, but the fact that it did finally come out is really the thing I should be focused on.  And the fact that it's out on vinyl is even better.

This is easily one of the best records I've heard this year.  Sure, technically these songs aren't 'new' songs in 2024, but they've never been officially released before, so I'm definitely counting it as a top record of 2024.  I just hope this is the first of at least three Fig Dish records being released on vinyl as mentioned in the excellent liner notes.  I need those first two albums!

Fig Dish - Feels Like The Very First Two Times:

https://forgeagainrecords.bandcamp.com/album/feels-like-the-very-first-two-times

Reduced - Reduced 7" - Yellow Vinyl (/265)

Brassneck (2024)

I've written more than a few old man screeds on this site over the years.  The older I get, the less in vogue the sort of things I like to listen to tend to be.  I'd like to think it's less me being a cranky old guy that is falling out of touch and more about how bands just flat out sound different these days.  They have different touchstones and inspirations than I do.  I don't begrudge any of them, it just feels like I'm not the target for what they are doing, and that's fine.

Luckily my desire for music is satiated by reissues, lost recordings, new discoveries of old bands I missed the first time around and old folks that are still making music.  Much more rare is a new band that I'm not familiar with coming out of nowhere and hitting that sweet spot of upbeat and energetic punk with hooks and vocals that don't sound like a band started by a former Decepticon.  Enter Reduced.

This is a UK punk band that is probably a little more aggressive than the Choppers, Broccolis and Hooton 3 Cars of the world, but I still hear a kinship to that scene which is something I don't get to hear anywhere near as often as I'd like.  The music drives forward, but is still catchy.  But it's not as straightforward as you might think as I find the chord progressions veer off into unexpected places not unlike something you'd expect from Red Dons or maybe the first Estranged album.

And unlike so many No Idea/Hot Water Music growly vocal folks that seem to inhabit the bands that I would probably listen to if not for the vocals, the singer from Reduced sounds like someone singing.  There's a slight raspiness to his voice that I'm pointing out as a compliment because if it was too slick, I wouldn't like that either.  It threads the needle perfectly, meshing with the rest of the band and carrying the hooks.  This is a band that is playing loud, fast music that is catchy, has hooks and generally is the sort of music I want to listen to.  I hope they're working on a full length.

Reduced - Reduced 7":
https://brassneckrecords.bandcamp.com/album/reduced

Sprocket Wheel - Stand By Me 7"

Brassneck (2023)

When I first discovered Snuffy Smile records in Japan it felt like the marquee bands were Lovemen, Blew, Navel and Sprocket Wheel.  At least, that's how I saw things.  I started off buying split 7"s they had with other bands that I liked such as Hooton 3 Car, Chopper, Goober Patrol, Travis Cut and Less Than Jake.  Blew and Lovemen also both had full albums on Snuffy Smile (Navel;s would follow a couple of years later).  Sprocket Wheel didn't have that Snuffy Smile full length, and after a while they sort of faded out of my view since I wasn't seeing anything new from them.  

At the time, I didn't know they had released a full length and an EP on their own.  It wasn't until many years later that I got a hold of those songs.  So while I was not as familiar with their discography for as long as some of those other Snuffy bands, I caught up eventually.

And that's why I was pleased as punch to see that Sprocket Wheel had started playing some shows in Japan over the last couple of years.  Though I was pretty shocked to find out that they were putting out a new 7".  I mean, you can't even get The Urchin to put out more songs, but now we have new stuff from Sprocket Wheel?  Crazy.

And I'm pleased as punch to report that the songs on this 7" are absolutely fantastic.  Aside from the recording quality being improved a little bit, the three new original songs sound like they could have been plucked from the band in 1995 at the height of there powers.  There's also a fourth cover song on the 7" of the Christmas so.g Feliz Navidad which is fun, but can't hold a candle to the originals.

Those originals are exactly the sort of melodic punk rock that I live for and that I rarely hear any more.  It hits that sweet spot that I'm always looking to hit ever since finding this music back in the 90s.  I cannot possibly say enough good things about these songs and I hope against hope that it's just the first in many new recordings that the band puts out.  

Sprocket Wheel - Stand By Me:
https://brassneckrecords.bandcamp.com/album/stand-by-me

The Drolls / Gentlemen Rogues - Split 7" - White Vinyl (/100)

Snappy Little Numbers (2024)

What do you get when two of my favorite active bands and one of my favorite active record labels hatch a plot for world domination?  In my opinion, you get possibly the best split 7" of the last five years.  I have to go back to 2019's Chestnut Road/Navel split to find a release that has two bands I like this much on.  Both bands are in top form as well.  These aren't throwaway cuts or album rejects, these songs are all grade A rock.

The Drolls check in with two songs.  "Burned Out" is another top shelf song in their still burgeoning pantheon of great songs.  It's a mid tempo song that certainly has some similarities with the sort of thing that Denny was cranking out in Sicko's later days, with its bouncy chorus and excellent guitar riffage.    The second song, "Happy Hour," is a bit different, which it would be as it's a cover of a Housemartins song (which I am unfamiliar with).  It has a quicker pace, lots of lyrics and really nice backing vocals in the chorus.  I'm sure all three Drolls are probably tired of the constant Sicko references, but it's hard to ignore one of my all time favorite bands and the fact that two of that band's members are in The Drolls.  But The Drolls are more than standing on their own, away from the shadow of Sicko.  Two more hits that only make me want to hear more.  Give me LP 2!

Gentlemen Rogues are following up their stellar Surface Noise full length from earlier in the year.  I'm sure the Rogues are equally sick of me talking about the band Jill when I write about them, but it's impossible for me to hear Danny's voice without calling back to seeing Jill play in a garage in New Jersey in the 90s.  Once again, we've got two stellar songs, an original "Young 'Til We Die" and a Rolling Stones cover, "Connection."  While Danny's voice certainly makes my think of Jill, the music is definitely different.  I think I've mentioned before, but this is the grown up version of pop punk, with more similarities to Superdrag than to Zoinks.  Tons of vocal harmonies on songs that I just want to listen to over and over.

As has been my way for the last several years, I have been lamenting the lack of records coming out this year that are exciting to me.  If I could have a few dozen more that are as good as this split, I wouldn't have to do so much complaining.  This one everybody should go grab as quickly as their fingers and internet connection will allow.

The Drolls / Gentlemen Rogues - Split:
https://snappylittlenumbers.bandcamp.com/album/split-sln-250

Night Court / The Dumpies - The Shit Split Part Duh 7"

Hovercraft (2024)

I feel like the split 7" is really an endangered species at this point, so I am always happy to see a new one get released.  Having that 7" include one band that I really like and one I'm not at all familiar with is exactly what I want out of a split.  A sure thing that I know I'll like and an opportunity to hear something new.

Night Court is back with four songs of ramshackle fuzz pop songs.  They are all pretty short as they would need to be to fid that many on one side of a 7".  As with everything they've released so far, I enjoy this immensely.  There's enough punk energy to keep things upbeat and exciting, the right amount of pop hooks to keep my brain singing along and just enough oddball chaos to keep things interesting.

My first impression of The Dumpies is that they are similar in spirit with The Marked Men.  Fast guitars with a mix of fuzz and jangle, distorted vocals, but an unwavering commitment to catchy melodies.  They're not quite as polished as The Marked Men just yet, but really who is.  I went into this 7" as a Night Court fan, but I'm leaving it being really interested in The Dumpies as well.  Though I will say that I wish all of their songs weren't quite so short.

Night Court / The Dumpies - The Shit Split Part Duh:

https://nightcourtpunk.bandcamp.com/album/shit-split-part-duh

https://thedumpies.bandcamp.com/album/shit-split-part-duh

Moron's Morons - Go Pop! 7" - Orange Vinyl (/300)

Big Neck (2023)

There's something about the bold colors and the vaguely 60s retro aesthetic that made me pretty sure I was going to like this 7".  There's a lot that can be said about book/cover judgments, and a lot of those judgments can be wrong, but I think there's often a success rate that isn't discussed that much.  Can I tell that a record is good by looking at it?  No, but I can usually make an educated guess that's probably right more often than it's wrong.  And if it's wrong, I tend to find it's because the record is better than the cover suggests, not the other way around.

I'll say right of the bat that Poland's Moron's Morons do not have my favorite vocals in the world.  There's a bit of blown out moicrophone fuzz on them and they definitely lean towards a gararge-y snarl.  But they work in the context of the songs and the songs are quite good.  

I would never say these are straight up pop songs, but there's enough pop sensibilities to their stripped down rock and roll sound that they do hold my attention.  Maybe the hooks aren't the biggest, but there is an inherent catchiness to the guitar riffing that goes a long way with me.  If you like the poppier moments of the 90s Estrus catalog, there's probably a pretty good chance you'll be able to get down with Morno's Morons as well.

Moron's Morons - Go Pop! 7":
https://bigneckrecords1.bandcamp.com/album/go-pop

Swami and the Bed of Nails - How Are You Peeling? 7"

Swami (2024)

Following up on Monday's Shock and Awe 7", this one is the one that is being sold exclusively at Swami and the Bed of Nails shows.  I picked it up last week when I saw the band play in Philadelphia at a venue that I have never been to before, but one that was in a part of town where it seems to have car shaped statues lining their streets that don't move or offer any opportunities to park a car that you happen to be driving.  We found a spot eventually, got to see a great show and pick up this record.

Like the  Shock and Awe 7", the A side on this one, "How Are You Peeling?," is slated to be part of the upcoming Bed of Nails full length.  This song has some big, Swami style riffage to it and, to me, sounds very familiar in a Night Marchers sort of way.  If there was a third Night Marchers record, I wouldn't have a hard time seeing this song slide into that track list.

The B side on this 7" is exclusive to this release and won't be on the full length.  It's called "Honesty" and while it also gives me some Night Marchers vibes, it's a very different beast than "How Are You Peeling?"  "Honesty" feels a bit more epic, with piano being a big part of the overall song structure.  There are guitar chords that ring out and a catchy, chorus that certainly lends it self to a bit of singing along.  It kind of makes me think of the song "Panthers in Crime" a little bit, but only because it has a slightly similar feel.  It doesn't sound like that song at all and it's not as slow, tempo-wise, but there's something about it that makes me feel like the two songs are kindred spirits to an extent.

Two great songs, four if you count the other 7", that are making me very anxious to hear this new Bed of Nails record.  I'm hopeful that 2024 will feature a deluge of Swami related material as I'm also eagerly awaiting the second Plosivs record that had been discussed a couple of years ago.

Swami and the Bed of Nails - Shock and Awe 7"

Swami (2024)

Last week I had the pleasure of seeing Swami and the Bed of Nails for the first time.  Made up of John Reis of every great band that has existed fame and other luminaries, they ripped through a set of songs from the last Swami John Reis album, new tunes from a forthcoming Swami and the Bed of Nails album, a Sultans song and a Night Marchers song for good measure,  They also were selling a tour only 7", but that's not this one.

This 7" went for sale on the Swami Records website a few weeks ago.  It sold out pretty quick and is the first official salvo from the Bed of Nails moniker.  The A side, "Shock and Awe," is billed as being from the upcoming full length.  It's a piano heavy rocker with an acoustic guitar foundation and a big, shout along chorus.  It wouldn't have been out of place on the last Swami LP, but also feels like it takes the musicianship up a notch.

The B side, "I Don't Hate Everything," is said to be exclusive to this fine 7".  It's more of straight up rocker and is built off a riff that has a lot in common with "Satisfaction" by The Rolling Stones.  For me, everything John touches tends to be gold.  I like some of his bands more than others, if I'm raking them, but in general I like everything.  Hell, I just preordered a Me First and the Gimme Gimmes record because hes on it and that's not something I was ever expecting to do.  Point is, Swami and the Bed of Nails is just another in a fine line of bands that I can always get down with.  They were great live, and I dig this 7" a lot too.  

I'll post a bit about the tour only 7" on Friday.

The Pretty Flowers - Police Me Flexi

Self Released (2024)

You may have noticed that The Pretty Flowers put out my favorite record of last year.  If you did notice that, I'm sure you're not surprised at all that I immediately got my hands on the band's new flexi 7" the moment it was made available.  While I'm generally not a huge fan of flexis or lathe cuts due to their fragility and lower fidelity vs. a traditional 7" record, I will always still collect and support them when it's a band I dig.  I understand the costs of putting out vinyl and am totally fine with other ways to get music out there.  Especially when it's not on cassette!

There's just the one song on this flexi, "Police Me."  Unsurprisingly it's a fantastic song and could have easily been a part of either Pretty Flowers album.  It's got that vague Built To Spill sort of pop sound, but with warmer, crunchier guitars and less ostentatious guitar soloing.  It's a quick song that maybe wraps up a little faster than I would have liked, but if my major complaint is that I wish there was more of the song I'm listening to, you get the idea that this one's a keeper.

The flexi itself sounds pretty good for what it is.  Not as good as a vinyl 7", but we've come a long way with flexi technology since the McDonald's Menu Song one came out.  When's someone going to cover that song?

The Pretty Flowers - "Police Me":
https://theprettyflowers.bandcamp.com/track/police-me