Showing posts with label urban legends. Show all posts
Showing posts with label urban legends. Show all posts

Wednesday, July 22, 2026

Mobb Deep - Juvenile Hell LP - Red Vinyl

Untitled
 
Island / Universal / Urban Legends (2018, Reissue)

Every Wednesday, in honor of Ed Lover Dance Day from Yo! MTV Raps, I take a break from rock and roll to write a little bit about hip hop. In the late 80s and early 90s hip hop ruled my musical life. During this often called 'Golden Era' I discovered so much incredible music. As I am slowly replacing the CDs I've had for thirty plus years with vinyl copies, I'm going to talk about some albums that had a really important impact on me during some very formative years.

People in hip hop love Mobb Deep.  I mean, they really love Mobb Deep in a way that I was keen to try to understand.  They made there bones starting in 1995 with the release of their nearly universally acclaimed sophomore album The Infamous...  That's after my prime time of hop hop fandom, so I wasn't around for that when it originally came out.  That means it's time to backtrack and while that album probably is the place that most people would start considering its reputation, I had to start with their debut, Juvenile Hell.  Part of that is because it's their debut and why not start at the beginning, but the other part for me is that it came out in 1993, right in that sweet spot of hip hop production that I love.

And the production is really solid.  It tends to be on the slower side of things, which is something that I don't always have the most patience for, but the tempos vary enough and the sample selection is strong enough that the beats really do sit in that sweet spot I mentioned earlier.  Lyrically, I completely understand where Mobb Deep get their reputation of being storytellers of the highest order.  The tales they tell veer towards the complex, telling stories of the neighborhood mixed with some other tracks that are a bit lighter, content wise.  They keep the lyrics tight and tidy, able to effortlessly string together rhyme schemes without it feeling like they're shoehorning in a word just to make the rhyme work, every syllable serves the story they're trying to tell.

It's also an album teetering on the line between confidence and arrogance as Prodigy and Havoc were still in their late teens when they recorded this debut.  They have the sort of swagger and poise of much older MCs and listening to it in hindsight it's really interesting to me that the album didn't seem to make much noise in 93 (to be fair, I never heard of it back then and I couldn't have been more obsessed with hip hop at the time) and the group was subsequently dropped.  They came back a couple of years later with The Infamous.. and their trajectory changed massively.  But I'd be lying if I didn't say that the charm of their debut might actually connect with me a bit more.  The production is more in my wheelhouse and these guys are no slouches on the mic.

Mobb Deep - Juvenile Hell:

Wednesday, February 21, 2024

Gang Starr - Daily Operation 2xLP - Red Vinyl

Untitled

Urban Legends / Virgin / UMe (2023, Reissue)

Every Wednesday, in honor of Ed Lover Dance Day from Yo! MTV Raps, I take a break from rock and roll to write a little bit about hip hop. In the late 80s and early 90s hip hop ruled my musical life. During this often called 'Golden Era' I discovered so much incredible music. As I am slowly replacing the CDs I've had for thirty plus years with vinyl copies, I'm going to talk about some albums that had a really important impact on me during some very formative years.

Gang Starr is one of my favorite hip hop groups and the one-two punch of Daily Operation and Hard To Earn is a hell of a two album run.  One of the best, I think.  Daily Operation has always been my favorite Gang Starr record.  I've said this before, buit although the highs on Hard To Earn are higher, Daily Operation is the more consistent album start to finish.

I've had a single LP pressing of the album for a few years, and that one wasn't cheap.  It sounded good enough, but the rest of the Gang Star catalog had been reissued over the years and all sounded better.  Not sure what took them so long to get to Daily Operation, but I finally have a nice, double LP version.

It's easily the best this album has ever sounded in my house.  It's got a warm, lived in feeling that hits all of those nostalgic notes of when I first discovered it in 1992.  Daily Operation is a top, top tier record and if you don't have it in your collection due to its difficulty to find in recent years, now's the time to grab the best version that I've heard of it.

Wednesday, December 20, 2023

Public Enemy – It Takes a Nation of Millions to Hold Us Back 2xLP

Untitled

Urban Legends (2023, Reissue)

Every Wednesday, in honor of Ed Lover Dance Day from Yo! MTV Raps, I take a break from rock and roll to write a little bit about hip hop. In the late 80s and early 90s hip hop ruled my musical life. During this often called 'Golden Era' I discovered so much incredible music. As I am slowly replacing the CDs I've had for thirty plus years with vinyl copies, I'm going to talk about some albums that had a really important impact on me during some very formative years.

I couldn’t really tell you when I first heard Public Enemy. I’m sure it would have been on Yo! MTV Raps, but I don’t really know what the first song of theirs that I heard was. What I can tell you, without question, is the first song of theirs that really hit me and made me pay attention was their collaboration with Anthrax on “Bring The Noise.” I loved that song so much I bought that stupid Anthrax B sides record just to get that song. I never listened to the rest of that tape aside from the very first time. I think I had the censored version with the bee buzzing noises where the curse words were supposed to be.

The reason I bring this up is because when I really connected with Public Enemy, the current album that they had out was Fear of a Black Planet. For reasons that I’m not totally sure about, the first record of theirs that I actually bought was It Takes a Nation of Millions to Hold Us Back. And I played the heck out of it, that’s for sure. Ever since I first purchased it, it’s always been my favorite Public Enemy record. There’s something about how aggressive the production is, coupled with Chuck D’s uncompromising rhymes.

I have this on vinyl via the Public Enemy vinyl box set that picked up ten years ago. However that box set, and every other pressing of this album and Fear of a Black Planet, was a single LP pressing. Vinyl Me Please did an incredible double LP version of FOABP a couple of years ago that I picked up.  And since It Take a Nation of Millions… has always been such an important record to me, I thought it was worth the double dip to get a better version of it as well.  I didn’t grab the colored vinyl version or the exceedingly overpriced quadruple LP set that includes all of the remixes. If that fancy one was only double the price, I would have considered, but for $250, that’s a pass from me.

This version that I bought is the standard black vinyl, 180g vinyl version. It really sounds great. Everything is crisp and full, The bass is low and warm, the vocals are clear and powerful. It’s a great version, it’s the best version of the record I would have to think. Is it worth rebuying? I think so, but I also think it depends on just how much you like this record. The version from the box set sounds totally fine, but this one is a notch above in my opinion.

Public Enemy – It Takes a Nation of Millions to Hold Us Back:
https://music.youtube.com/playlist?list=OLAK5uy_k9uKVBHagD5M0qWs47QN6_kg-rUzmrlss