Capital Tax - The Swoll Package LP

MCA (1993)

Every Wednesday, in honor of Ed Lover Dance Day from Yo! MTV Raps, I take a break from rock and roll to write a little bit about hip hop. In the late '80s and early '90s hip hop ruled my musical life. During this often called 'Golden Era' I discovered so much incredible music. As I am slowly replacing the CDs I've had for twenty-five plus years with vinyl copies, I'm going to talk about some albums that had a really important impact on me during some very formative years.

There's very little that has been as exciting to me in recent years as finding one of those perfect, early 90s golden era records that I didn't know about.  It's like uncovering a lost artifact that totally captures a time and a place that's so very near and dear to me.  You can put Capital Tax on that list of more recent discoveries.

I have had this record sitting around in my 'to write about' pile for a decent amount of time.  I'm not really sure why it took so long.  Sometimes you just get distracted by the newer, shinier record that came in and then all of a sudden you're neglecting something that's just sitting right there.  Capital Tax shouldn't be ignored.  This is an album packed full of the sort of hip hop production that I love.  Lots of upbeat bass lines, thumping drum tracks, jazz horn loops and killer scratches in the breaks.  It came out in 1993, that's one of the high water mark years of hip hop production and this Capital Tax record fits right in.  

On the lyrics side, the MC duties are held down by TMD, Total Mind Devastator.  You've got to admit, that's a pretty slick MC name.  I dig it.   His gruff vocal delivery over the hard hitting beats make it so surprising that this crew was from Oakland.  Everything about it kind of screams East Coast style to me.  But if you're making an album this good, it's pretty irrelevant to me what zip code you get your mail delivered to.

It's so surprising to me how many great albums are still floating around out there waiting to be discovered.  This LP wasn't even all that much on Discogs.  But, they are cramming 58 minutes onto a single LP, which is a bit much.  This is one of those albums that I'd really like to see a nice double LP reissue for.  Hopefully someone steps up.

Capital Tax - The Swoll Package:
https://music.youtube.com/playlist?list=OLAK5uy_kkzIwhoCRcRGt5Ylhg5W7aIncuNx69P8U

The Gamits - Endorsed By You LP - Yellow Vinyl (/200)

Snappy Little Numbers / Fail Harmonic / Bearded Punk (2025, Reissue)

Endorsed by You was originally released back in the year 2000 and was The Gamits debut full length.  I know this, because i looked it up.  I've never been all that familiar with The Gamits.  I have a split 7" with them on it somewhere in my collection (I assumed filed under "G" or "M"), but I really don't remember it as it was part of a 7" subscription series I was in over a decade ago.  Before that I did know their name, but mostly from hanging around the Vinyl Collective message board in the mid 2000s.

Putting on this album is the first time I've heard much of anything by The Gamits.  I wasn't going in with any idea of what they sounded like, aside from the fact that I knew they were pop punk and I do have a good record by Discreature Comfort, the newer band fronted by The Gamits' Chris Fogel.  For whatever reason, despite my unfamiliarity with them, they kind of sounded like I thought they would.  Pretty good pop punk, with the occasional song or section of a song that has the sort of drumming that makes me nuts.

There's this galloping, super fast drum beat in pop punk that I most closely associate with NOFX, but creeps out into many, many bands (even ones I love like Snuff).  It's one of those things that immediately makes me tune out and think, "oh, it's this kind of pop punk."  And while that is definitely not the case for the vast majority of this Gamits record, when it does pop up, I immediately get frustrated.

And that frustration is mostly because I do like the bulk of this album.  The guitars have the big crunchy sound that I dig.  The vocals and choruses remind me a little bit of Hospital Job (though, due to when each of those bands were releasing records, it's actually the other way around).   At its core, it's a well done pop punk record.  It's just at its best when they slow things down just a bit and lean into the pop side of pop punk.  And if the occasional drum gallop isn't a weirdly specific pet peeve for you like it is for me, I think this is a record worth checking out.

The Gamits - Endorsed By You:
https://snappylittlenumbers.bandcamp.com/album/endorsed-by-you-reissue

Godzilla vs King Ghidorah Soundtrack LP - Yellow w/ Gray Splatter Vinyl (/1000)

Death Waltz / Mondo (2023)

The third film in the Heisei Godzilla series was 1991's Godzilla vs. King Ghidorah.  In addition to the return of one of Godzilla's most famous adversaries came the return of the man who in many ways defines what Godzilla soundtracks should sound like, composer Akira Ifukube.  But more on the soundtrack in a moment.

I'm definitely the sort of person that prefers Showa Godzilla movies, but there is a lot to like about many of the later entries as well.  That said, I do struggle to find too many positive things to say about Godzilla vs. King Ghidorah.  Now, admittedly, I'm probably due for a rewatch as it's been likely ten years or so since I last watched it, but most of my memories are pretty negative.  

It has this really convoluted and kind of stupid time travel storyline that involves aliens tricking humans into bringing muppets back in time to stop Godzilla from being created and creating King Ghidorah instead.  The plot holes are larger than both monsters combined and It's really a slog to get through it.  The fights are fine and Mecha-King Ghidorah is a monster design I really like a lot, but as a whole, right up their as my least favorite of the era.

On the other side of the coin is the soundtrack and having Ifukube back is one of the saving graces of the movie.  His themes are appropriately dark or triumphant, depending on what mood needs to be set and I honestly can't imagine how much worse the movie might have been without his score holding things together.

The LP looks great, I really dig the artwork, though I do wish the art was more cohesive across the various LP releases.  It's great to have these soundtracks on vinyl finally, but in a lot of ways that only frustrates me more that the Heisei series wasn't completed.  As a reminder, the Godzilla vs. Biollante soundtrack should have been the one I wrote about this week, but it never came out.

Godzilla vs King Ghidorah Soundtrack:
https://youtu.be/gFKQ5QS6vIY?si=2JLiqknoNSEBm6o3

Godzilla vs Biollante Soundtrack - This Does Not Exist on Vinyl

This is just a quick missive to remind the world that the next Godzilla movie after The Return Of Godzilla is Godzilla vs. Biollante. Mondo/Death Waltz released Godzilla soundtracks all out of order jumping between Heisei and Millennium series and some non-Godzilla Showa kaiju soundtracks. Then, they just stopped over a year ago and they never did Biollante, the Heisei film that many would argue is the best of that era. 

Doing the soundtracks in order, I should be writing about Godzilla vs. Biollante tomorrow, but I can't write about a record that does not exist. I'll be posting the Godzilla vs. King Ghidorah write up Friday morning, I just wanted to call this omission out again. This also doubles as a plea for someone, anyone, to put this soundtrack out on vinyl. It's a hole in the collection and one that frustrates me greatly.

Kamakaze - Head On 2xLP + 7" (/750)

90s Tapes (2023) 

Every Wednesday, in honor of Ed Lover Dance Day from Yo! MTV Raps, I take a break from rock and roll to write a little bit about hip hop. In the late '80s and early '90s hip hop ruled my musical life. During this often called 'Golden Era' I discovered so much incredible music. As I am slowly replacing the CDs I've had for twenty-five plus years with vinyl copies, I'm going to talk about some albums that had a really important impact on me during some very formative years.

I still have piles of 90s Tapes reissues that I haven't been able to write about yet.  As I was going through some things, I noticed that I still hadn't gotten to Kamakaze, which had come out in late 2023.  This was the first official release for a shelved album that was supposed to have come out on Reprise back in 1995.  I'm not sure why it didn't get released back then, but if I'm being honest I probably wouldn't have heard it back then as '95 is when I was pretty checked out on what was happening in hip hop.

The production on this record was mostly handled by Marley Marl with a few tracks done by K-Def (who did one of my all time favorite beats on "Funky Child" by Lords of the Underground among others).  I think having Marley on beats mostly helps this album hold on to that sound that I prefer rather than dipping into the post 1994 style of production that I don't care for as much.  There are traces of that, as I don't like the G-Funk sounding keyboard whine on "Spread It Around" or the slowly, slinky sounds of "Da Rocks Ya'll" and "Goodlife."

But there are several songs on here that have good, hard hitting drums and an aggressive tempo that falls much more in line with the sort of early '90s hip hop that I prefer.  The tracks that are the ones that make this a record to keep on the shelves are the ones like "Snakes In The Grass," "House O' Hitz Crew," "Devastating" and the title track, "Head On." As far as lyrics and delivery goes, KL and Solo both sound great.  They've got gravelly flows that are engaging and are the type of rappers that I think would always excel if given the right beat.

For me, this isn't a top tier-untouchable lost gem of a record.  It's a really good album that is way better than a lot of records that came out in 1995 and beyond.  It's not perfect and there's a handful of songs that I don't dig all that much, but in general it's a solid album and one that I tend to enjoy more with each subsequent spin.

Kamakaze - Head On:
https://90stapes.bandcamp.com/album/head-on

Cyclo Sonic - Heathentown LP - Green Vinyl

Big Neck (2025)

Bandcamp says this came out on December 30th or 2024.  I don't think that can really count as a 2024 release can it?  You truly only had two days to listen to it before 2025 came roaring in.  I think you have to count this as a 2025 release personally, so I will.  And with that little bit of housekeeping out of the way, let's talk about the second Cyclo Sonic album.

When I wrote about their prior record in 2022, I mentioned that I liked their guitar riffing, but wasn't the hugest fan of the vocals.  On their second album, I still mostly feel the same, but there are improvements on both fronts.

As far as the music goes, everything sounds tighter and crisper.  Not in an overproduced sort of way, but the fuzzy chords have a little bit more shine to them now.  They just sound brighter and in turn, better.  From a vocal standpoint, there are still those moments where we tread closer to the glam side of things, with the track "Prethentown" perhaps being the biggest example on the album.  But most songs are upbeat, the good kind of aggressive with some catchy hooks thrown in for good measure.  I think this is an improvement on their debut.  

Cyclo Sonic - Heathentown:
https://bigneckrecords1.bandcamp.com/album/heathentown

The Return Of Godzilla Soundtrack LP - Clear Blue Vinyl (/2500)

Death Waltz / Mondo (2021)

When Waxwork put our their Showa box set of Godzilla soundtracks in 2021, I had barely finished opening the mailing box before I started thinking about what they could do with a Heisei era box set.  Unfortunately, that was not to be as Mondo imprint Death Waltz stepped in instead.  I would have preferred the consistency of Waxwork doing it, but I figured that Mondo does really nice work, so even though these will end up being more expensive in the long run, they'll still be nice.

My plan was to write about these in order of movie release date, so when Mondo started releasing the soundtracks out of order, mixing Millennium series with Heisei series, I figured I'd just have to wait a bit.  Well, here we are well over a year since the last Godzilla soundtrack was released.  Mondo never put one out for 1989's Godzilla vs. Biollante or 2004's Godzilla Final Wars.  

I think it's incredibly lame that they never completed either series and I wonder if it had anything to do with the shake up a few years back where the founders of Mondo were forced out of the company by parent company Funko.  A dumb situation that reeks of the sort of corporate nonsense that drives me up the wall.

Regardless, I have already waited way to long to write about these Godzilla LPs and I'm ready to finally start filing them away in my collection.  So on Fridays for the next few months, I'll be writing about some Godzilla soundtracks.  Starting with the soundtrack to Godzilla's return in the 80's, appropriately called The Return of Godzilla.  At least in Japan, in America is was released as Godzilla 1985 and had scenes inserted of Raymond Burr posing and Dr. Pepper product placement.  The first time I saw Godzilla 1985 was whenever the first airing of it happened on TV.  I remember I was at my dad's house and it was shown during primetime, unlike the usual Saturday or Sunday afternoon showings that I was used to on channel 9 or 11.  I also remember a lot of Dr. Pepper commercials, including at least one that had Godzilla in it.

The movie itself seemed very fancy and flashy to me as technology in movies had certainly evolved since the last time Godzilla was stomping around Tokyo.  It never felt connected to those earlier movies to me back then (which in fairness, storyline-wise it wasn't), but as I've gotten older I hold a similar nostalgia for it as I do the Showa series ones.  But I'm burying the lead about the movie, and about the soundtrack; The Return of Godzilla is kind of boring.

Composed by Reijiro Koroku, the film's score is mostly dark, very brooding and only offers brief moments of respite from that dourness.  The Super X fight at the end is a notable exception as it has a fairly upbeat and triumphant military motif, but a lot of the soundtrack is just a downer.  The movie is kind of the same way. There's some good building smashing action, but it's done in such a heavy handed, trying to be serious manner that it zaps some of the fun out of things.  Don't get me wrong, I like the movie and the soundtrack at the end of the day, but I definitely rank them lower when compared to most Godzilla movies and scores.

The LP that Mondo has given us is good, for the most part.  I can't say I love the art on the cover.  While I like the idea, the execution doesn't do much for me.  Godzilla just looks weird.  There is a very cool pop-up Godziulla built into the center of the gatefold, but of everything Mondo bothered to actually release, this is the artwork I probably like the least.

This write up is probably way longer than most of the others will be as I had to set the stage a bit.  Next up on the Godzilla filmography is Godzilla vs. Biollante.  But again, Mondo never released that soundtrack so I'm going to have to skip it and go right to the movie after that next Friday.  I just hope someone, anyone (hey Waxwork!) releases the Biollante soundtrack on vinyl someday.  It's a glaring hole in the collection and really frustrates me.

The Return Of Godzilla Soundtrack:
https://www.youtube.com/playlist?list=PLp7o1q38PjxHybeS3MHxg8uX7Wcdzyp3X

Mystidious Misfitss – A Who Dat? 2xLP + 7" (/500)

90s Tapes (2024, Reissue)

Every Wednesday, in honor of Ed Lover Dance Day from Yo! MTV Raps, I take a break from rock and roll to write a little bit about hip hop. In the late 80s and early 90s hip hop ruled my musical life. During this often called 'Golden Era' I discovered so much incredible music. As I am slowly replacing the CDs I've had for twenty-five plus years with vinyl copies, I'm going to talk about some albums that had a really important impact on me during some very formative years.

If you are looking for a hip hop group that has a name that is difficult to remember how to spell, Mystidious Misfitss might just be the group for you.  Their lone album, A Who Dat?, originally came out in 1995.  I didn't make much of an impact at the time, and from what I gather, that seems to be because their original label, Epic, didn't even bother to release the album on CD in America.  But had I heard this album, it's definitely one that I would have been into.

I know there is only a one year difference between 1994 and 1995, but I can't even begin to explain just how different hip hop production in those two years sounds to me.  It's like almost an entirely different genre of music for the most part.  Over the years I've learned that there were good beats still being produced after 1994, but I still find them to be on the rare side.  But for whatever reason, A Who Dat? is absolutely full of them.  

If you told me this came out in 1993, I wouldn't even bat an eyelash.  To the point where I'm mostly convinced this was recorded much earlier and the release just got delayed to 1995.  I haven't read that anywhere and have no proof other than the aforementioned nugget that this didn't come out on CD in the US, but this just sounds like that perfect, early 90s golden era sound that I love.  On top of the strong beats are 3 MCs that do a great job.  It's similar to other multi-person groups of that like Yaggfu Front, Pharcyde and maybe Leaders of the New School as long as you understand there's no one like Busta in Mystidious Misfitss.  There's a few too many skits, but that's not a problem unique to Mystidious Misfitss.

As usual, 90s Tapes sets the bar as high as high could be with this reissue.  It's a thoughtfully put together package with excellent artwork, great sounds and everything you would expect from them.  There's a reason I set an alarm multiple times a month to wake up in the middle of the night to buy their releases.  I don't deprive myself of sleep for just anything.  If you see one of these on Discogs or eBay or whataever and it's a nice price, go grab it.  Mystidious Misfitss created a great record that more people should hear.

Mystidious Misfitss – A Who Dat?:
https://90stapes.bandcamp.com/album/a-who-dat

Arcadian Starship - No Feelings 7"

Debauch Mood (2024)

Arcadian Starship is a group fronted by Shirahama, who was also in Sleeping Aides and Razor Blades.  They put out a full length a couple of years ago that I didn't get as the bits I heard of it didn't light my world on fire.  My understanding is that album was more of a solo endeavor, but on this 7", Arcadian Starship is reimagined as a full band.

Japanese powerpop/poppunk is often the best version of those genres, especially these days.  Arcadian Starship dabbles in both and I can hear the influence of the 90s UK scene, sort of like a Mega City Four, but it's filtered through a power pop lense that has echos of The Cute Lepers.  As you can imagine, this is great, upbeat music with lovely choruses and lightly fuzzed out guitar work.

It's so good, it really does make me want to give that first full length another chance, but more than anything I'm looking forward to seeing what this group does in the future.  A whole album of songs like this is something I would sign up for immediately.

Arcadian Starship - No Feelings 7":
https://debauchmood.bandcamp.com/album/arcadian-starship-no-feelings-7