Showing posts with label 3rd bass. Show all posts
Showing posts with label 3rd bass. Show all posts

Wednesday, February 12, 2025

3rd Bass - The Cactus Al/Bum 2xLP

Untitled

Def Jam (2024, Reissue)

Every Wednesday, in honor of Ed Lover Dance Day from Yo! MTV Raps, I take a break from rock and roll to write a little bit about hip hop. In the late 80s and early 90s hip hop ruled my musical life. During this often called 'Golden Era' I discovered so much incredible music. As I am slowly replacing the CDs I've had for twenty-five plus years with vinyl copies, I'm going to talk about some albums that had a really important impact on me during some very formative years.

For its 35th anniversary, Def Jam finally reissued The Cactus Al/Bum as a double LP on vinyl.  3rd Bass' debut album was in dire need of this treatment as the original version, and all reissues, of the record tried to cram 20 songs clocking in at just under an hour onto a single LP.  As you can imagine, it certainly didn't sound its best.  The hype sticker on this new reissue says it was remastered from the original analog tapes and whether it's that or just having less music per side and stretching this out onto two LPs, the record sound better than it ever has.

I'm really happy that this record is getting this sort of treatment.  I've always felt that 3rd Bass never really got sustained credit for how good they were.  They hardly ever come up when other golden era greats are discussed, but both of their records are great and hold up to most others released around the same time.  I mean, no, they're not Public Enemy, but both records are much better than I think most people remember.

In particular, the production on The Cactus Al/Bum is top notch for 1989.  I would put it up against just about anything that came out that year.  And as far as lyrics go, Serch has always been kind of a goofball, but an entertaining one and Pete Nice absolutely is among the most under appreciated of the early golden era to me.  Hopefully this reissue shines some much needed attention on what is in my opinion, a classic album.  I have it playing again while I'm writing this and I really does sound great.  Absolutely worth double dipping if you have any of the earlier single disc pressings.

Wednesday, May 26, 2021

3rd Bass - Derelicts of Dialect 2xLP

Untitled

Def Jam / Columbia (1991)

Every Wednesday, in honor of Ed Lover Dance Day from Yo! MTV Raps, I take a break from rock and roll to write a little bit about hip hop. In the late 80s and early 90s hip hop ruled my musical life. During this often called 'Golden Era' I discovered so much incredible music. As I am slowly replacing the CDs I've had for twenty-five plus years with vinyl copies, I'm going to talk about some albums that had a really important impact on me during some very formative years.

Derelicts of Dialect came out during the summer of 1991, the summer between 8th grade and my freshman year of high school.  I first became really and truly interest in hip hop when I was in 7th grade and Mama Said Knock You Out came out.  I loved that song and credit it immensely with pushing me towards finding more hip hop that I liked.  Even though I never ended up being that big of an LL Cool J fan, that one song is responsible for shifting the way I looked at music immeasurably.

Back to the summer of 1991.  I was aware of 3rd Bass from "Gas Face" being played on Yo! MTV Raps, though I didn't pick up The Cactus Al/Bum until after I had gotten Derelicts.  "Pop Goes The Weasel" was the first single from this new album and it got a lot of play on Yo! and eventually was in regular rotation on MTV.  This was a long time ago and I may have the timing wrong, but I'm pretty sure that summer was when MTV was playing blocks of videos all the same genre.  I remember sitting through trash waiting for more rap videos and 3rd Bass being a frequent part of them.  That prompted me to buy the CD.

I don't know why, but I have an unusually clear memory of buying this CD when I was a kid.  We went to this record store that was in a strip mall up where I grew up in Sussex County, NJ.  It wasn't a cool or hip shop, it was just an independently owned record store that pretty much sold the same stuff you'd get at Sam Goody.  It wasn't there long and I think this was the only thing I ever bought there.  Anyway, I remember picking up the long box CD from a rack and being excited they were actually carrying it.  Why is that memory so vivid? No clue. Nothing interesting happened, but that's when I bought this as a kid.

On to the vinyl. Derelicts of Dialect hasn't been reissued on LP since 1991, so I had to hunt down an older copy.  I picked this one up on Discogs at a reasonable price and am psyched to have it in my collection.  I think it holds up really well, though like a lot of albums of that era, it's probably a little too long and would benefit from a shorter, tighter tracklist.  That happened a ton on early 90s hip hop albums with everyone testing the capacity of CDs.  

In particular the title track, "Pop Goes The Weasel,"No Static At All" and "Ace In The Hole" are jstill really great.  Thirty years later and I'm here nodding my head along with the bass.  Crazy.  Also crazy is how young the 3rd Bass guys look in all of the pictures and videos.  When I was in 8th grade, they seemed like grown up rappers.  Seeing them now, I realize they were kids too.  Wild times.

3rd Bass - Derelicts of Dialect:

Wednesday, March 24, 2021

3rd Bass - The Cactus Al/Bum LP

Untitled

Def Jam (2014, Reissue)

Every Wednesday, in honor of Ed Lover Dance Day from Yo MTV Raps, I take a break from rock and roll to write a little bit about hip hop. In the late 80s and early 90s hip hop ruled my musical life. During this often called 'Golden Era' I discovered so much incredible music. As I am slowly replacing the CDs I've had for twenty-five plus years with vinyl copies, I'm going to talk about some albums that had a really important impact on me during some very formative years.

I don't think I heard 3rd Bass right when this album originally came out in 1989, but I definitely saw the "Gas Face" video before their 1991 follow up Derelicts of Dialect came out (you know, the 'Pop Goes The Weasel' one).  I bought derelicts pretty much the moment it came out and was a little surprised to see so much airplay for that single.  While I still think that is a pretty solid record, I always thought The Cactus Al/Bum was the better of the two.  Primarily because of the song "Gas Face."

I'm not positive that when I first heard it, I initially made the connection that it was built off of a sample from "Think" by Aretha Franklin (her version in Blues Brothers being a particularly influential song to me when I was growing up).  Regardless if I picked up on the source, there was no denying how that piano riff meshed in with the drum track they created to become something pretty special.  From the moment Prime Minister Pete Nice (still one of my favorite hip hop names) starts up the first verse, it's pretty apparent these guys know how to create a great record.  It was years and years and years later that I put together that the guest MC on the last verse, Zev Love X from the amazing KMD was also MF Doom.  I never dug the Doom records as much as KMD and man did he shine on this track.

The rest of the album is good, if not a little inconsistent.  There are highs like "Sons of 3rd Bass,"Brooklyn-Queens"and "Steppin to the A.M."  But, there are probably too many skits, some of which feel like they go on forever and when the beats get slower on tracks like "Monte Hall" or "Triple Stage Darkness" I don't think the back and forth flow between Pete Nice and M.C. Search is done any favors.  Still, it's a fun record all these years later and one that I think is probably overlooked when discussing the pantheon of incredible albums that came out in the late 80s hip hop scene.

3rd Bass - The Cactus Al/Bum (YouTube Music full album stream):
https://music.youtube.com/playlist?list=OLAK5uy_nHAZh4VPksh1NjCgvM7FeaDVgf4jJc0T0