Showing posts with label trumindz. Show all posts
Showing posts with label trumindz. Show all posts

Wednesday, November 5, 2025

Casual - Meanwhile... 2xLP (/200)

Untitled

Trumindz (2025, Reissue)

Every Wednesday, in honor of Ed Lover Dance Day from Yo! MTV Raps, I take a break from rock and roll to write a little bit about hip hop. In the late 80s and early 90s hip hop ruled my musical life. During this often called 'Golden Era' I discovered so much incredible music. As I am slowly replacing the CDs I've had for thirty plus years with vinyl copies, I'm going to talk about some albums that had a really important impact on me during some very formative years.

Casual's debut, Fear Itself, is one of my favorite records in the history of hip hop.  Easy top five, probably top three.  Jive dropped him before he had a chance to release a follow up and it wasn't until 1997 that Casual released Meanwhile.  It was independantly released via Hieroglyphics own label, Hiero Imperium, and only came out on cassette.  I picked that up off the Hiero website in 97 while I was in college.  I liked it well enough, but I remember being a little disappointed with it considering how much I loved his first album.

Truth be told, I wasn't really in a space to appreciate a good hip hop album in 1997.  I wouldn't go so far to say I was against hip hop or anything like that, but I was really sour about how much the sound had changed and the type of music that I had identified with in formative high school years had kind of left me behind to seek fame and riches.  When Dope Folks released a barebones vinyl version of Meanwhile a few years ago, I reevaluated it and found that it had aged so much better than I had remembered it.  Are the beats on par with Fear Itself? Not exactly, but they're still really good.  Especially in comparison to what was being shoveled out by most rappers in 1997.

Up to that point we had a self released tape and a single LP with a generic sleeve for Meanwhile's official releases.  But finally, nearly 30 years later, Trumindz stepped up to the plate of put out a double LP version with full artwork, remastered and with a bonus track.  This is absolutely the definitive version of this album.  It looks great and sounds great, finally elevating this release to something that can stand shoulder to shoulder with the other incredible Hieroglyphics releases of this era.  

I'm so thrilled we finally have this version and can only hope that Trumindz decides to give the same sort of love and attention to The Shamen record that got a barebones CD release on Hiero Imperium in the early 2000s.  To me, that's the last crown jewel of the Hiero catalog that needs the deluxe reissue (though I certainly wouldn't turn down more Hiero Oldies and Hiero B Sides reissues).

Casual - Meanwhile...

Wednesday, May 14, 2025

T-Max - The Alleywalker 2xLP (/250)

Untitled 

Trumindz (2024) 

Every Wednesday, in honor of Ed Lover Dance Day from Yo! MTV Raps, I take a break from rock and roll to write a little bit about hip hop. In the late 80s and early 90s hip hop ruled my musical life. During this often called 'Golden Era' I discovered so much incredible music. As I am slowly replacing the CDs I've had for twenty-five plus years with vinyl copies, I'm going to talk about some albums that had a really important impact on me during some very formative years.

The Alleywalker was originally meant to be released back in 1993, but for whatever reason (I looked, but couldn't really find any information about why) it wasn't actually released.  30 plus years later, here it is courtesy of Trumindz Records.  I had never heard of T-Max prior to this reissue popping up and I'm grateful I was in the right place at the right time when it came out so I could grab it.  It's sold out now and I would have been bummed out to miss on this one.

In some ways, I sort of feel like the only thing I need to say about this album is that it was supposed to come out in 1993.  It has the sort of beats and production that are kind of synonymous with that year and it's everything I'm looking for in my hip hop.  The tracks are fast paced, the bass lines are real head nodders and that aggressive snare drum crack hits right where it needs to be every time.  T-Max is from Boston, so you definitely get that golden era classic sound.

Lyrically, T-Max more than gets the job done.  I sort of hear a little bit of a similarity to Ed O.G., but that just might be my brain applying someone else from Boston to T-Max's sound.  Regardless of who is is or isn't similar to, he knows his way around a rhyme and lays out some standard, but excellent tales of life and of mic supremacy.  This is definitely the sort of album I'd recommend whole heartedly to folks that like that early 90s sound and are looking to check out something that hadn't heard before.  It's a bummer it's sold out, but it's definitely worth hunting for.

T-Max - The Alleywalker: